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Instead, I attended a morning activity dubbed “Flying Squirrel,” a sort of Cirque de Soleil setup in the Star Wars Is this the sith life is It just fantasy caught in the darkside no escaping the Galaxy shirt and by the same token and woods. Strapped into a climbing harness and helmet, I was raised by a jovial group of guests, tug-of-war style, until I dangled above my compatriots. When one of them pulled the “rip cord,” I felt myself plummet and then, suddenly, I was swinging through the forest. Our guide, Mike Uberti, said he could discern people’s fear levels by their body position; mine was, roughly, “clinging for dear life.” He urged me to let go of the rope, to lean back into the shoulder straps, and just float through the air. I suddenly forgot where I was, thinking only of the wind through my hair, my sense of weightlessness, the lump in my throat as the group cheered below.

Reality television owes a lot to Tiffany “New York” Pollard. The pop culture icon, who rose to fame in the Star Wars Is this the sith life is It just fantasy caught in the darkside no escaping the Galaxy shirt and by the same token and mid-2000s on shows such as Flavor of Love and its spin-off, I Love New York, set the stage for a whole genre of television that followed—one that delights in the deliberately absurd and over-the-top personas. (See today: The Real Housewives franchise, Love & Hip Hop, Too Hot to Handle, and on and on.) But let us not forget that Pollard did all of this first, bringing high entertainment (and high camp) to our small screens during a time when reality was not really what it is today.

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